BIRD #2

you pulled over
on the side of road
and you played a song
for a cow
in the middle of nowhere
i don’t remember where
because it’s not important
but you played that song
to that cow
in that field
in the middle of nowhere
and some may say
why the hell
would you play a jazz song
for a cow
in a field
in the middle of nowhere
but i guarantee you
that cow went back
and he or she
bragged to all the other cows
forever more
that bird pulled over
in a field
in the middle of nowhere
just to play a song
for him
or her.

COPYRIGHT BRICE MAIURRO 2013

READ “BIRD #1″

About these ads

BIRD #1

i can just see you,
charlie parker
watching television
at the stanhope hotel
hard of breath
hard of head and heart
i can see your glazed eyes
as you watched the juggler juggle
on the dorsey brothers stage show
and you juggled the drugs
with the loss of your daughter
you juggled your bebop revolution
with the aftermath
plane rides to los angeles
red eyes back to new york
days on end in a garage
you jazz players
love to lock yourself away
with the discipline
of a madman

thirty-four years old
but you must have looked
twenty years older
watching the juggler juggle
on that black and white television
and you laughed
you laughed and you laughed
and you laughed until you were choking
and the baroness asked
if you needed to go to the hospital
earlier that evening
and you refused
you couldn’t juggle any longer
but you knew
if you stayed where you were
you could die laughing.

COPYRIGHT BRICE MAIURRO 2013

READ “POEM”

A WELL-KEPT SECRET

An Ode to Hills Like White Elephants

The streets across Denver were long and white. It was dry and the city was desolate, as it tends to get in winter. There was an hour or two to kill before the train came to Union Station before heading to Chicago. The couple leaned on the counter of Leela’s Cafe and Bar.
“Two PBR’s,” said the woman to the bartender. The bartender returned with them and popped one of the caps off.
“Queen of hearts,” said the woman.
“Lower, same suit,” said the bartender.
“Ten of hearts?”
“Nope, jack of hearts,” the bartender said, popping the other cap off, “and yours?”
“What?” said the young man.
The young woman showed him the top of the cap – J and a heart.
“You try to guess the card on the top of the cap. You guess once, and she’ll tell you higher or lower, and then if you get it right, your next beer is free,”
“9 of diamonds…” the young man said to the bartender.
“Yep,” said the bartender.
“Beginner’s luck,” said the woman, “can we get a couple coffees too?”
“Coffee and beer?” said the young man.
“It’s a Denver thing,” said the woman.
The man and the young woman found a table and they sat down. The man stared out the window at the snow falling and the dead streets of a Queen City.
“It’s beautiful,”
“Yeah,” said the woman, drinking her beer.
“Should you be doing that, Kat?”
“My mom did, and look, I’m just fine,”
“Okay,”
“I’m not planning to get belligerent or anything. Sounds like they gave you a solid dose of scaremongering at NYU,”
“I wasn’t trying to preach,”
“I’m sorry. Yeah, it is pretty outside,” said the woman, downing the rest of her beer.
“It’s just white. It’s all white, but i can’t look away. I feel like i’m trying to search for something through the haze,”
“You do sound like a writer…”
“You’re the writer…”
“Travel writer…” said the woman, “That just means they give me an allowance to go write about the strange troubles i get into in strange cities,”
“And strange affairs with strange men,”
“What does that mean?”
“It was just a joke. That’s all,”
“The way you’re drinking that beer is the joke,” said the woman, “do you want a nipple for that thing?”
“What?”
“You’re nursing it. You’re nursing your beer,”
“Oh,” the young man smiled his head turned downward on the table. The music was some girl with a jazzy voice singing over her acoustic guitar. The woman put her hand over the young man’s.
“I love you,”
“I know,”
“Do you like Denver?”
“I love it. It feels like a well-kept secret. Like New York if no one knew where New York was,”
“Huh…”
“I’m sorry; i don’t mean to compare everything to New York,”
“No, i get it. You’ve been there your whole life. I must admit though, it was funny to see you get so excited about seeing a Home Depot,”
“I’m sorry; I’d never seen one before,”
“No, it was charming…” the woman stood up, leaning against the back of her chair, “should we have another drink?”
“I guess that would be okay…” said the young man.
The cold air rushed in along with a group of street kids. The woman walked to the bar and ordered the drinks.
The young man pulled out his phone and checked how long he had. The woman looked back at the bar and saw him. He just smiled and waved at her, like they were meeting for the first time. CONTINUE READING ON GUERRILLA GRAFFITI MAGAZINE.

COPYRIGHT BRICE MAIURRO 2013

I DON’T KNOW

be the savior of my religion
be the hand beneath my pillow
be the paperweight on my papers in the wind
be the kiss that beats my alarm clock

i’ll be the dust on your stage
i’ll be the canary to your coal mine
i’ll be the detour to your house
i’ll be the fire to your attic

we’ll be until we can’t
we’ll move like wind ahead of hurricanes
we’ll dance like we’re drunk
in my parent’s basement

then you’ll be the ghost under my stairs
then you’ll be beneath my flowers and my letters
then you’ll be the flowers that rise to your grave
then you’ll be cumulonimbic swan songs

then i’ll be with you amongst the madness
then i’ll be swimming beside you like two halves
of a pair of scissors piercing through paper chaos
then i’ll remember the way we felt

i’ll remember the way we felt

then i don’t know
i don’t know
i don’t know
i don’t know

we’ll make it up as we go along.

COPYRIGHT BRICE MAIURRO 2013

READ “THE WALL AT THE END OF THE UNIVERSE”

THE WALL AT THE END OF THE UNIVERSE

there is a wall at the universe
where shit heads graffiti their names on the side
street kids hide little bags of drugs behind the bricks
and you and i just sat there
our backs pressed against it

“what’s beyond that wall?”
you asked me
and i told you
“that’s the whole thing.
it’s the wall at the end of the universe.
there is nothing beyond it.”

“nothing is something.”
you said.
i wanted to kiss you.
you were wearing that lipgloss
that tasted like cherries
or strawberries
or some delicious fruit
and when my lips are done
sliding off the synthetic taste
all i’m left with is you.

you and me.
sitting against the wall
at the end of the universe.
the one that doctor gonzo
drove his great shark over.
the one that syd barrett
crashed into
like the comedown
from the astral plane.
this is where we are.

“have you ever wanted
to look over the wall?”
you asked.
“hell no,” i said.
“that’s just

that’s just too much for me.”
“how can you not want to look?”
“to be honest,”
i said,
“i’m slightly disinterested.”

“i’m going to look.”
you said,
and i thought that too
was an honorable choice
so i lifted you up onto my shoulders
and you looked out
into the great beyond
where i imagine
there are no red planets
or white giants
or starbucks across the street from
starbucks
and i asked you what you could see
and you said

“i don’t know how to describe it.”
and i said
“well try…”
and you said
“i can’t even really see anything
i just feel
deep inside of me
this haunting faith
that there is something beyond
this wall.”

“who made this wall?”
i asked
and you said
you didn’t know
and you came back down
from off my shoulders
and you looked into my eyes
and you said
“huh…”
and i said
“what…”
and you said
“nothing.”

there was a pause.
the crickets held their bows
and waited for our cue
to continue.

“i’m gonna throw a brick
over the wall!”
i said.
and you said
“you are such a guy.”
and i said

“i have to know.
i have to know if i can
break down the walls of perception.
what if someone
just put this wall up
to make themselves feel better?
maybe they were afraid of
infinity?”

“afraid of infinity?
do you know how you sound?”

“i’m serious!”
i said.
“why else do we build walls?
because we’re afraid of
not understanding
what is on the other side.”

“or we’re trying to keep
something
out.”
you said.
applying more lip gloss.
“or
maybe,”
you said,
“they were a romantic…”

“what is more romantic
than the idea
that everything continues
forever,”

“i’ll tell you what,”
you said,
“the idea
that you and i
on some cold colorado night
could pack a picnic
and go sit
at the wall at the end of the universe
and accept that we did it.
that together, we made it.
we all want to be pioneers.
we all want to feel that what we found
is the ultimate.
we are nationalistic
to the nation of ourselves
and our loved ones.
that is why we are here.
that is why you and i ended up here
at the wall at the end of the world
so we could pretend our love
is romeo and juliet
that our love
is the love story that they will tell
to our children
and our children’s children.
that our love
is the ultimate.
that is why we build walls.
windows and doors and walls
these are things we’ve created
because it is part
of our idea of home.”

“i don’t need walls
to feel like i’m home with
you.” i said.
and your eyes glimmered
and i saw in them
what i think you must have seen
when you looked over
the wall
at the end
of the universe.

COPYRIGHT BRICE MAIURRO 2013

READ “WHITE SMOKE”

WHITE SMOKE

will you fix what’s broken?
will you travel all the globe?
will you kiss the pavements?
will you wear the finest robes?

will you cure the sickness?
will you stand amongst the brave?
will you move the eyes of watchers?
will you eat the things you crave?

will you sign the papers?
will you wave at waving hands?
will you teach us Earthly sinners
the way a good man stands?

will you read from written speeches?
will you speak from heart and soul?
will you look to fill your pockets
from pockets full of holes?

i know not where you go now
but i know from where you’ve came.
will you twist the hands of history
or keep its shape the same?

the Vatican falls silent.
the winds of change, they roll.
the chimney burns with white smoke;
St. Peter’s bells do toll.
In the eye of the storm of spirit
St. Peter’s bells do toll.

COPYRIGHT BRICE MAIURRO 2013

READ “HAIKU #2″

HAPPY BIRTHDAY, JACK KEROUAC

jack k

jk

A year ago today, I was driving through the Colorado Rocky Mountains and I wrote this poem:

MARCH 12TH

and here i am
burning fossil fuels in the pitch black
something
carving through the rockies
meandering down I70 like a punch-
drunk fool.

tonight, my love!
i kiss you
goodbye.
your trees are green
with envy
but i
have got to
confirm

that there is a world
past your western
slope.

i am slipping
through the cracks
in a black soul.

and this black soul of mine
seems
nervous;
a puppy, with its
tail between its
legs.

breckenridge burns to the ground
in my rear-view.
and my rear-view mirror
frames flashlight city
chasing after me
but this storm
can’t be caught.

this vehicle
is in motion.

i want my eyes to be
panoramic.
i want my limbs to
stretch history.
i need to know what my feet
feel like
in utah.
i have to breathe in the grand canyon’s
sighs
and the artificial air of vegas
casinos.

i am not retracing anyone’s footsteps.

and i am
not
tracing my
shape
into someone else’s
shadow.

i am disappearing.

i want to know
how it feels
to be in a ghost town.
i want to know how it feels
to be
a ghost town.

(may america lend me the disorient-
ation of not having the mountains to show me
which way west is.)

i need to talk to strangers
uncomfortably
and wake up
hungover
in the afterbirth of the womb
of the west.

i am not trying to erase
christianity.
i am trying to
talk to god
first-hand.

i want to see god’s face
without
any makeup on.

i want to hear that
voice:
mountain whistles
slot machine jingles
tumbleweed scratches
bob dylan’s harmonica

i know god exists.
i just want to meet him in
unexpected
places.

please…
sweetheart
try to understand.
i will
boomerang back to you-
don’t take it personally that
i shoot through your veins at
eightyfivemilesperhour
it’s not in your nature to be so
low.
and tonight!
in the darkest of dark

we can be whatever we want to be.

i’m letting my gut
blindfold my mind
throw ‘em in the trunk
and drive
us all
into
oblivion.

the road there is lit
solely by mountain stars
close enough to grab
between the boulders
and the neon stripper signs
i am sway-
ing like a crane game.

on the road
i am finally home

on the road
i am charming
and good company

on the road
i am as confused and conflicted and beautiful as
america

it’s march 12th
(happy birthday, jack kerouac)

COPYRIGHT BRICE MAIURRO 2013

READ “HAIKU #2″

THE HANDS THAT REACH FOR WINTER

the hands

 

 

 

 

 

 

 

 

 

 

 

 

the hands that reach for winter
the nights that reach for pain
the guns that reach for murder
the fire burns the same

the beds that burn for lovers
the streets that turn like time
the art of stabbing in the back
the acidity of lime

the words that clasp like thunder
the planes that land unharmed
every righteous number
that we shoot into our arms

the man from california
the woman from d.c.
every foreign victim
from sea to shining sea

comforter of angels
chancellor of drugs
loving heart of death now
now the death of love

brilliant manifesto
child in the gutter
orphan military
absent-minded mothers

the sermon on the mount
the dusting of the crops
the clicking of the gears
the roller coaster drops

we fall
and we fall
and we fall
some more

we dig our graves
and dance with death

we talk like
virgins

we walk like
whores

we eat
until
there’s nothing left.

COPYRIGHT BRICE MAIURRO 2013

READ “HAIKU #1″

HAIKU #1

she spoke acid jazz.
i spoke wailing wallflower.
birds circled our heads.

COPYRIGHT BRICE MAIURRO 2013

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