HAIKU #2

giant shopping mall.
loudspeaker music.
half-price american dreams.

COPYRIGHT BRICE MAIURRO 2013

READ “THE HANDS THAT REACH FOR WINTER”

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Hi Everyone:

First off, thank you all so much for your support of 02.2013. In my opinion, it was a great success. It was very interesting forcing myself to write something each day, and doing something I really like to, which is trying to widen the spectrum of my poems as much as possible.

Now, I’m beginning work on a new project, which I’m going to give a working title of ANT Magazine, until I have an official title.

I am looking for motivated to people to work for this blog and I am looking for a wide variety of things.

I have decided to drive this blog/ online magazine from the idea that bloggers can post what they want/ when they want. I want my bloggers to have the freedom to do as they please, because I want them to have fun, and in turn, for the blog to be fun. Thus far, I have a couple poets signed on, photographers, artists, and even a pair of guys who are going to write about bad b-movies. Here’s some ideas of what else I’d be looking for.

  • Reviewers (Music, Movies, Book, Calendars, Gyms, Restaurants, Starbucks locations, I don’t care)
  • Artists (I don’t care if you make GIFs,or intricate water paintings or digital art, I could be looking for what you have. I’d really even like to have a talented doodler.)
  • Alt Lit People (If you don’t know what alt lit is, this one doesn’t apply to you. If you do, I want your poetry, I want your memes, I want your short stories.)
  • Film (I am really looking for good youtubers to post videos to the site. Once again, open-minded to what you got. I would love some funny videos.)
  • Photographers (I would love photographers whose pieces stand alone and I would also love photographers who if I said “take me pictures related to “night” or “fourth of July” could deliver them in about a week. Experience does not matter. Talent and motivation do.
  • I would really like to have someone to write on feminism on the blog, as this is a topic that is very important to me.
  • Anything else. If you hula hoop, and want to post instructional hula hoop videos, I’d like you to apply. If you sing and play guitar, send me your videos. If you are a badass list maker or nutritionist or tech geek, I’d like you to apply.

IMPORTANT NOTE! You do not have to be American. I want this blog to have a global community and other cultures and countries are not only requested to apply, but I insist they do. I do have to ask that you can write English though. I’m sorry.

Most of all, I want people sharing their passions. I’m trying to make a community out of this. I want my bloggers interacting with our readers. I want people to have a reason to come back, and I want this to be a blog about sharing with the world, not making money. (haha… blogs making money.)

If you are interested, please send me something about yourself and an example of what you have to offer to bricemaiurro@gmail.com.

I hope everyone interested will apply.

Thank you,

Brice

02.24

0224

 

 

 

 

 

 

 

(poem for a dying mall. (southwest plaza))

everything i’ve ever known
says i should dismiss you
as a silly capitalistic hub
but i can’t do that
i have known you for far too long
when i was a kid
we would visit you

there’s a strange fondness i feel
for the days i would spend hours suffering
beneath the toxic bright lights of the limited too
while my mom and sister shuffled endlessly
through the mass-produced neon clothes

there’s a strange fondness i feel
for pacing around the mall
with my pink-haired freshman girlfriend
hand-in-hand
eating a cherry-dipped dairy queen cone
and watching the kiosk employee
flying his plastic helicopter
by remote control
in the atrium of the mall

there’s a certain fondness i feel
about sneaking into spencer’s gift with friends
and pretending we weren’t just going
to laugh at the sex toys

you are not that impressive
and you never have been
but i have heard the muzak dying
i have watched
as stores with pulses
became white walls
you cannot lie to me
i can hear the heartbeat behind the plaster

i cannot watch anymore
as economic cancer eats away at your insides
commercial ebola mashes your insides
into one million parasitic cellphone case stores

your gold chandeliers have fallen
my sweet, sweet grandmother of a mall
we used to visit more often
but now we’ve just thrown you into a nursing home
and watched you suffer from a ghost town complex

there’s a strange fondness i feel
for the foreign workers at the sunglass stands
their cheeseball slicked back hair
and their desperation to sell you
overpriced sunglasses
you infected them with that desperation

it is never easy
to watch the past
slowly implode on itself

there’s a strange fondness i feel
to know that my father
a shoe salesman
paced daily so many times
by my mom’s work
before he had the courage
to ask her on a date
within you

the love that made me
the love that raised me
was born inside of you

some things don’t go slowly
and sentiment is a strange bird
that lands on whatever perch it cares to

you’re dying before my eyes
and i’m learning now
that you cannot mourn
what you’ve yet to lose

COPYRIGHT BRICE MAIURRO 2013

READ 02.25, THE NEXT ENTRY IN THE 02.2013 PROJECT

02.2013 is a twenty-eight day project chronicling my february of 2013 through poetry. to read the entries from the beginningĀ CLICK HERE

02.08

0208

 

 

 

 

 

 

 

(midnight hype with ratatat.)

atrophy, apathy and the letters between lovers
disect your very core to try and find the blind
the walk of shame through the halls of college dorms
the parasail that treads too close to water
let’s unshelter the shelters, let’s unveil the mask of sanity
let the world see our naked scarred unshaven selves
we will sit elevated in a glass box above times square
and frozen in time we will move as fast as traffic
if life is a graph of time versus love versus change
what would happen if you crumpled up the sheet of paper
the equation was written on?

condense your density. make true your individual rhythm.
martyr your dark dark dark dark dark heart
and allow yourself to become as soft as soft symphony
cram your head full of knowledge then let it all go
binge and purge. create then destroy. love then let love.
you have a finite amount of infinite to give the infinite.
your hourglass figure can only be flipped so many times
requiem. become requiem. become undeniable. stand
on the pedestal that you have created
from cracks in the sidewalk you stepped on
when you break your mothers back consider the fact
that maybe you adjusted the lump in her spine
close your history books and listen to the eyes of auschwitz
the scars of pearl harbor, the radiation of hiroshima
take a shot of nagasaki and chase it with karoshi
we’re all melting like the wicked witch of the west
we are all bleeding like the eternal tsunami of the east
our stripy socks shrivel up beneath the house hovering over our heads

we rob peter to pay paul and then we use paul’s money
to take peter’s girl out for a night on the town
but she never calls because she’s in love with paul
and we ignore the fall, the mighty fall of the american empire
and the fire, it burns us all the same, we have only ourselves
and a thousand past lives left to blame, we’re so brash
do not ask what you can do for your country
once we see the fire it burns us all the same, we’re so brash
ash to ash, dust to dust, from first to last lashes
ashes to ashes
we
all
fall
down

COPYRIGHT BRICE MAIURRO 2013

READ 02.09, DAY 9 OF THE 28 DAY 02.2013 PROJECT

02.2013 is a twenty-eight day project chronicling my february of 2013 through poetry. to read the entries from the beginning CLICK HERE

BLOOD ON THE AMERICAN HIGHWAY

there is blood on the american highway
red paint splattered on white median lines beneath a blue sky
we run from coast to coast
we take off in the night, trunk left open, and we fly through the eye of the needle
into the rocky mountains in search of the final sun
that sun which burns brightly dying for california
we kiss the hills along the way
we salute the cold night concrete with lit cigarettes left to ash
we don’t know where we go
we just do as the green signs tell us to

the lostest of the lost pioneers
disoriented we are disoriented we follow the smoke signals
we drive right through the indian ghost the song of the past
we just blast the radio as if we could fill the sky with sound
great american rock sound
blaring guitars, raging drums, and the bass that moves
like a convertible through the wind
the sound through your head

this is our american song
rewritten and rewritten again
we search for freedom in its bars
independence in four four time
this is our american song
waking up in motel sixes with no cigarettes
and the t.v. is on for noise
and the sex through the wall
and the jingling of slot machines down the hall
and the hum of the ice machine
check out time is eleven o clock

we wrote our song into our constitution
first we decided we would be free
then we decided we needed guns
and we threw a couple to alabama
and we threw a few more to texas
and we boarded up the borders that we broke down

there are lights in fields in plains of kansas
to light the gymnasium swaying to high school dance
we move our hips like pioneers
we throw our hands up in the air
and when the music dies down
we drive to the tops of hills that look down on the nothing
and we kiss like we have to

then we’re off again
down the bloody american highway
through cities and deserts and fields and mountains
and more cities and we’re going where no one else has gone
at least that’s what we tell ourselves

we throw on our kerouac hats
and put an eighth of ginsberg in our glove compartment
we load up our hemingways into the trunk
and we drive
we drive into the most unnatural horizon
we move down the bloody american highway
tank on e, stuck with the am radio through the worst parts of utah
we move at so many miles per hour
of course
there is blood on the american highway

COPYRIGHT BRICE MAIURRO 2013

READ “BEN”

02.2013

02.2013

Good Morning.

I wanted to take a minute to let you all know about a project I am going to be starting up on Februrary 1st. It’s called “02.2013″ and the concept is fairly simple: I am going to chronicle my experiences daily through the month of February here on the blog.

Other than that, I don’t know what will come of it. I’d say the biggest difference between this project and my normal entries is there should be a more cohesive element to the 28 poems I intend to write.

I hope you all will check in daily with me, and join me through this journey. Should be a lot of fun.

Love,
Brice

FAST LANE

it’s chutes and ladders
and ups and downs
and elevators that go to nowhere
and people who talk to much
and the quiet ones
who you always have to worry about
and there’s just so much noise
and noise and noise
excessive noise
and there’s cars that rip by
and invisible night pedestrians
in all black who you almost hit
who you only see in your rear view mirror
and they’re condemning the building
to make a church
and they’re imploding the church
to make a big box business store
and the grass dies beneath the floorboards
but the people live above the linoleum
and there’s a man playing a violin
and the sun is out and its day
and we’re bustling and bustling
and we’re packing the groceries
into the cart
and we are hunters
fierce commercial hunters
and we are bringing home the bacon
to the twelve screaming baby birds
and we are feeding them the worm
and raising them to fly
and teaching them to move
at five hundred miles per hour
like the rest of
and the hustle and the bustle
continues on and we are blurs in transit
we are smears on the sides of car windows
and some of us are flies on the windshield
but there is no time to stop
because we have our final destination in mind
and we have no clue how to get there
and the gps is sending us in circles
and the cabby doesn’t speak english
and the line is out the door
and we’re moving, we’re moving
we’re constantly in motion
the world is turning and somedays
it is turning against us
but we keep in motion
at a pace faster than those before us
and the escalators ascend us to heaven
where we check out through the fast lane
ten items or less
with twenty things in our carts
and we are opening the back gate of the minivan
and we are shuffling around the city
and we are listening to the radio song
at 60 beats per minute
and we are motion
we are constant constant motion
and we are double-lane fast food
we are roaring engine
we are dying phone battery
and did anyone notice the violin player?

COPYRIGHT BRICE MAIURRO 2013

READ “NATIONAL ANTHEM OF ANYWHERE”

BUKOWSKI #2

i wonder
if bukowski
wrote
so
many
of his poems
like
this
because
he knew
that
publishers
paid
by
the
line.

COPYRIGHT BRICE MAIURRO 2013

READ “OLD MAN POEM”

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FLASHLIGHT CITY BLUES: FAVORITE POSTS OF 2012

Rant Unicycle

#1: TIPS FOR WRITING BETTER GOD DAMN POETRY PART 1: I’m not a big fan of how to guides, especially how to guides on writing, but I really enjoyed writing this. I decided to shoot from the hip. Say what I truly feel. Focus less on the structure of poetry and more on the what keeps me going.

#2: THE OBNOXIOUS SOUND OF MUSIC UPSTAIRS: Most of my pieces I write and five minutes later, I post them to my blog. The fact that this is something I wrote a couple years ago and still held up on my blog made me extremely happy. I don’t write short stories or prose very often, but I was happy to find myself writing this piece, that not only helped me rationalize alot of things from my past, but also better understand love.

#3: MTV: When I sat down to write this, I thought it was gonna be shit. I thought it was gonna be pure angst and cheesy and trying too hard to be trendy, but in the end, I don’t feel that it’s any of those things. I didn’t realize until the comments started coming in that this piece wasn’t just about MTV. It was about the things we lose along the way, sometimes include our whole selves.

#4: AN AMERICAN PORTRAIT: A personal favorite. My trip to California really inspired this one in me. I wanted to speak of this iconic idea of America that we’ve created in our memories and our history, and maybe point us to the fact that it’s time to redefine what it means to be an American.

#5: I AM AN APARTMENT BUILDING: One of those ones where you know the title, and the rest just kind of comes from there. I feel like this piece really helped me to rationalize a lot of aspects of who I am in so many ways. My roommate and I talk about how I don’t really edit, but what I seem to do is rewrite the same poems in different ways until I get what I’m after. This one seems to be a later, but I don’t think necessarily better version of SOMETIMES I FEEL LIKE THERE’S A COWBOY ARGUING WITH A BUDDHIST MONK.

 

More than anything, what I’d like to say is thank you. Thank you to anyone and everyone who stops by and reads my blog. Poetry is not something that is easily made a career. No one gets into poetry for the money. What I’m in it from is to share something I felt with the growing circle of people around me. I want to inspire people to be better. I want to challenge people to rethink who they are. I want to make a personal connection with someone on the other side of the world as me, and I have been lucky enough to get to connect to so many fantastic people, all with incredible stories and nothing but kindness to give back to me. You’re not a poet until someone reads your poem. I believe that too. Often times, I’ll read poems to my family and friends, and whenever I hit that publish button on wordpress, the same rush of satisfaction and honesty hits me.

Let’s make 2013 the best year there ever was. The world didn’t end, so we still have a responsibility to make our resolutions as courageous as we can, and our words equally as brave.

Love, Brice

p.s. let me know what your favorite pieces were. :)

WHERE HAVE YOU GONE TO, AMERICA?

i tried calling
you didn’t pick up

where have you gone to, America?
i can’t find you under my bed or in my closet with the other monsters
you seem to be everywhere all at once like you’re imitating God, but maybe you’re just photocopying yourself until the ink turns to white like your flag on the moon
where have you gone to America?
when I go down on you, you never return the favor

where have you gone to, America?
your model homes are empty
your desks in your schools are empty
your teachers are just praying for tenure
where have you gone to, America?
are you in Central Park with those cast to the corners?
are you in Brooklyn with the rappers who reside in check out counter headphones?

the Dodgers are in Los Angeles now
the Lakers are in Los Angeles now
how come she always gets whatever she wants?
where have you gone to, America?
your youngest daughter still needs you

where have you gone to, America?
your unwrapped gifts are stacking up under the Xmas tree
your churches have walls to expand for the holiday rush

where have you gone to, America?
you left the groceries out on the table
you left your poor friends out on your San Francisco doorstep
you left your children at school with a gun
and you want to blame the trigger for the finger that pulled it

you want the television to babysit us
while you go out drinking with strange men

i tried leaving you this message, America
but your mailbox was full

COPYRIGHT BRICE MAIURRO 2012

READ “ANDROID”