02.2013

02.2013

Good Morning.

I wanted to take a minute to let you all know about a project I am going to be starting up on Februrary 1st. It’s called “02.2013″ and the concept is fairly simple: I am going to chronicle my experiences daily through the month of February here on the blog.

Other than that, I don’t know what will come of it. I’d say the biggest difference between this project and my normal entries is there should be a more cohesive element to the 28 poems I intend to write.

I hope you all will check in daily with me, and join me through this journey. Should be a lot of fun.

Love,
Brice

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1994 SEATTLE LOVE SONG

seattle

minor chords amongst the dust
i’m the only one who comes to your show
the ground is littered
with empty bottles of cough syrup
i stand among the wreckage
and i watch you destroy yourself
i can’t look away
from the mirror you hold to me

i can’t escape the morphine sea storm in your eyes
envy’s eyes are as green as yours
envy’s eyes are as green as yours
you’ve got me wrapped up in your small pox blanket

you’re a newspaper fire burning in a rusty trash can
a shopping cart in hashbury at night
you’re not as glorious as i’ve made you out to be

i’m a gas fire and you’re the water
i’m a gas fire and you’re the water

i’ll burn like big giant factories
i will give you a sunset
the color of chemicals

minor chords amongst the dust

you left your phone in the car
along with our 1994 seattle love song
our song of retribution in a wasteland
we are just getting lost in different drugs

what happens when glass slippers slide
on black ice

we are the sound
of an i.v.
drip

i swear you smell
like kurt cobain

you taste like
sonic youth

someone popped
every single one
of the balloons
at our birthday party

someone left the car on in the garage

envy’s eyes are as green as yours
i can’t escape your morphine sea storm

COPYRIGHT BRICE MAIURRO 2013

READ “TOO FAR DEEP”

TOO FAR DEEP

and it’s getting
darker
and darker
by the
second
redefining
the concept of
black, the blackest of
black
and i’m not afraid

don’t
misunderstand me
for one second

i am not afraid
in the least, i am
content to
listen to the
sound of water
dripping
from
the
walls

i am happy
to listen to the wind
echoing circular

i am lost deep
in too deep
way too deep
too far deep

i’m running away from
something
into the arms of
death

i am trapped
inside a rising bottle of
poison
i am kissing
alice through the
looking glass

we are falling, our
guts in our mouths but
we are falling together
and i’m crossing
the line
the line
the edge
the point
where reason melts
like clocks
broken hands
of a clock
black eye
on its face
and seconds
are beats
in this
symphonic
movement

i am wide awake

i do not need light
to see i am everything

i can imagine myself
to be doors left open
the wind catching on the shades
red silk shades blowing
i am lost amongst them
whiskey dreams
absinthe nightmares
marijuana reality
the onyx shine
of the inside of
a beautiful
mind

skeletons
running on
treadmills
glow in the dark
thousands
and thousands
and thousands
around me
burn
down
the
curtains

my dear,
we don’t need them
let the stars dance with us
i can never be alone
as long as
you’re in
too far deep too
and you
are the muse i’ve made
you’ll never let go

a codine buzz
a disdain for yesterday
and i’m on it
i’m in too far deep
and my intent
is not to climb out

my intent
is to keep digging
until i get to
the
other
end
of my
reality

COPYRIGHT BRICE MAIURRO 2013

READ “THE HOUSE OF GOD”

THE HOUSE OF GOD

someone’s in the kitchen playing the guitar
lovers in the bedroom reading dead playwrights
someone’s in the shower marinating musicals
someone’s in the basement carving up god’s face
angels in the mirror slipping into dresses
someone’s in the garden impregnating the soil
someone’s in the laundry room painting up a portrait
demons in the cellar pending on funeral flowers
someone’s in the billiards room punching holes in walls
someone’s in the closet interviewing skeletons
someone’s in the fitness room chiseling skin
pergatorians in the elevator shaft making urgent love
someone’s in the dance hall staring into eyes
someone’s in the sitting room spitting stand-up
someone’s in the coat room closing their curtain eyes
someone’s in the skull commanding the hands
this is the house of what is, not what is not
this is the house of god.

COPYRIGHT BRICE MAIURRO 2013

READ “WORD SALAD”

CAPTURE

capture me in your film reel
put me back inside your toxic head
give me the angst i crave
give me the perfume of wastelands
give me the perfume of wastelands

it’s insensitive of you not to call
i swear to god i’m hanging over the edge
of this building and i’m gonna jump
i swear to god i’m gonna jump
without your visceral voice
i will hit the concrete headfirst

i’m not trying to be the bull in your china shop
i’m not looking for romantic disney love song
give me your health insurance
and all the disease that comes along with it

let’s pursue the american nightmare
let’s try to put the past behind us
let’s bury our children in the yard together
trauma bond with me for life
won’t you trauma bond with me for life?

i know there’s not a lot of hope here
i know there’s some spaces inbetween
they don’t fill in
they’ll never fill in
but let’s continue through shitstorms
umbrellas open now
umbrellas open now

we are children who played with lead paint toys
we are the island of misfits
let’s just close our eyes and hum the garbage disposal
let’s let go of that shiny diamond ring of hope

COPYRIGHT BRICE MAIURRO 2013

READ “FAST LANE”

MY GREEN FAIRY

the absinthe drinker. viktor oliva.

the absinthe drinker. viktor oliva.

some days
i just
fall
down
the stairs
and i
just
keep fall
ing through
smoke
and mirrors
i travel through
this
funhouse
and past
the golden gates
to the other side

of reality
where she waits
for me
my green fairy

she dance for me
my green fairy
crazy ballet of fire
on her glass stage of desire
she dance for me

her wings in proud display
naked and raw and hard on the throat
she walks across
the good and the evil
of my spectral shoulders
and this she says to me:

“calm your head
your days will collide
if you do not.

close your eyes

feel me running up and down
your spine
this waltz
in waltz three quarter time

taste my heat upon your lips
feel me burning on your breath
sugar cubes and billowed smoke
white lighters and youthful death

open your heart
let me in
the ceremony
is about to begin.”

and i listen to her
my green fairy
my blue delusion
my red midnight
my black confusion

she dance for me
in sacred gardens of the mind
waltzing in three quarter time
she moves the moon along the sky
visions of toxic absinthe why
channels of unrequited love
dirty water, holy dove
she dance for me
she lie with me
and every night
she die for me

COPYRIGHT BRICE MAIURRO 2013

READ “EARTHBENDING”

Interesting in submitting to Flashlight City Blues?

HOW A RAVEN IS LIKE A WRITING DESK

raven writing desk

when asking one’s self
how a raven is like a writing desk
things can get a bit
unnecessarily complex;
it is not hard to see
how a credible
and verifiable answer
may be hard to come by.
in this piece,
i will attempt to answer this question
which really
should have been answered long ago.

the first thing one must do
is to qualify
what exactly defines a raven.
experience points us towards the idea
that ravens are inconsistently
the strangest of businessmen.
note that all ravens crave independence
and a nice warm bowl of soup.
another less common accusation
of the raven kind
is that a multitude of their chamomile
is that which provides
shelter for storm drains
and by association
wormholes in the eternal treetrunk.

this is great and all
but what is the use of such conviction
unless we dive equally as deep
into the trenches of
orange libraries
to ask ourselves
what is a writing desk?
many scholars
have written on this
but in my research
i have found
they rarely remind us
that historically
writing desks
have been predatory creatures;
often confused with old crows
and barkeepers
who say things like
“put the jam beside the marmalade”.
i implore you
to not be ignorant;
to acknowledge
that bishops and angels
both use writing desks
as a source of inspiration
for their dissertations
of the latter subject
and the ladder observations.
writing desks taste of freedom
though the splinters
have been known to clog the drain
and leave a nasty hangover.

and now for the big question:
how are they alike?
it’s been suggested
that poe wrote on both
but i have no time
for absurd claims.
one’s life
is far too short
to get lost in logical nonsense.
we must be men
and stopping being children.
as we discussed earlier
ravens are the genesis of polka
whereas writing desks
symbolize the civil war
and the flamingos
who became martyrs
for its mahogany cause.
which is really the key here:
architecture.
both seem to have
a keen design
a design that suggests
dances with drunk waiters
and orbital malnourishment
which plagues us all the same.
a writing desk is to sweater vests
as a raven is to bubble bath water.
from there
certain jumps in logic
can be established
and we can find ourselves absolved
of the great question
which so long has burdened us all.

in conclusion
though it may be difficult at times
to find a system to something
as absurd as this
i find that these: two things
may be more alike
than we are willing to acknowledge.
the badgers of humanity
have a knack
for refusing to accept
that tolerance and compassion
towards washer machines and
the occasional stomach rumble
leads us to living in a glass onion
where we stop saying
to the top hat cricket on our shoulder
the ways that a raven
is unlike a writing desk
and start to genuflect
on the passing notion
that a raven
and a writing desk
are in factualitization
the exact
same
thing.

COPYRIGHT BRICE MAIURRO 2013

READ “CRICKETS”

Interesting in submitting to Flashlight City Blues?

CRICKETS

it looks like it’s just me and the crickets tonight
the crowds poured in like flash floods
they shook, they rampaged, they rumbled the house
they spilt their drinks all over the tables
they danced on the wet tables
they kissed in my closets
they unhinged my doors and they set my clothes on fire
they blew out my speakers with their digital tribal anthems
they cursed the name of daylight
their hands reached out towards the night sky
the room filled with smoke
the intercourse of chattering, the music of heart
they filled the crevices and corners of my life
the kissing gourami wallflower star-crossed lovers
who wake up demons with bad breath and hangovers
they clawed at the walls, they clawed the ceilings
they hung their reservations from the ceiling fan
and watch as it shredded them to dust
like leftover confetti on the mardis gras ground
i slipped into my bed, slipped into my mind
as the world turns turbulent around me
as the clocks lost track of time
and the freezer began to fill with pairs of keys
the morning came like snow on january first
and the floor was littered with bodies in coma
slowly they dwindled, they faded, they disappeared
out into the long line of cars
out into the systematic revolution of deadlines
and bus schedules and inevitable responsibility
now you listen to me and what i have to say
until you too wander off out into delusional reality
and then, as it always end up,
it’s just me and the crickets tonight

COPYRIGHT BRICE MAIURRO 2013

READ “WINDSTORM (A DREAM)”

Interesting in submitting to Flashlight City Blues?

WINDSTORM (A DREAM)

there is a windstorm in my skull where leaves rustle endlessly
where a man with an inside out umbrella is thrown about the post rain streets
the sky is overdosing on clouds and the sun is laying under the table drawing red beams on the underside
there are heavy stone angels in parks in my skull that serve as a paperweight for my heart
there are dead trees that fall into streets and onto telephone line where birds scatter as headlights swerve the hilly city trying to seek refuge from the wind and the constant chill and the dangerous roads that twist like a benzedrine high

there is a church in my skull
a great basilica where homeless seek shelter and sit in luke warm circles praying to the most loving God they can imagine
the stain glass windows flash with the lightning outside and the pews rumble with thunder as the candle chandeliers swing from the ceiling like indecision
i am somewhere lost within my own madness, behind a trash can down a back alley
and like a savior

you walk through unabashedly

apathetic to the windstorm around you

and your eyes reach out their warm hands to me and pick me up off the dirty ground

and you carry me home to my warm bed where I read this poem to you.

COPYRIGHT BRICE MAIURRO 2013!

READ “A TOAST”

Interesting in submitting to Flashlight City Blues?

FLASHLIGHT CITY BLUES: FAVORITE POSTS OF 2012

Rant Unicycle

#1: TIPS FOR WRITING BETTER GOD DAMN POETRY PART 1: I’m not a big fan of how to guides, especially how to guides on writing, but I really enjoyed writing this. I decided to shoot from the hip. Say what I truly feel. Focus less on the structure of poetry and more on the what keeps me going.

#2: THE OBNOXIOUS SOUND OF MUSIC UPSTAIRS: Most of my pieces I write and five minutes later, I post them to my blog. The fact that this is something I wrote a couple years ago and still held up on my blog made me extremely happy. I don’t write short stories or prose very often, but I was happy to find myself writing this piece, that not only helped me rationalize alot of things from my past, but also better understand love.

#3: MTV: When I sat down to write this, I thought it was gonna be shit. I thought it was gonna be pure angst and cheesy and trying too hard to be trendy, but in the end, I don’t feel that it’s any of those things. I didn’t realize until the comments started coming in that this piece wasn’t just about MTV. It was about the things we lose along the way, sometimes include our whole selves.

#4: AN AMERICAN PORTRAIT: A personal favorite. My trip to California really inspired this one in me. I wanted to speak of this iconic idea of America that we’ve created in our memories and our history, and maybe point us to the fact that it’s time to redefine what it means to be an American.

#5: I AM AN APARTMENT BUILDING: One of those ones where you know the title, and the rest just kind of comes from there. I feel like this piece really helped me to rationalize a lot of aspects of who I am in so many ways. My roommate and I talk about how I don’t really edit, but what I seem to do is rewrite the same poems in different ways until I get what I’m after. This one seems to be a later, but I don’t think necessarily better version of SOMETIMES I FEEL LIKE THERE’S A COWBOY ARGUING WITH A BUDDHIST MONK.

 

More than anything, what I’d like to say is thank you. Thank you to anyone and everyone who stops by and reads my blog. Poetry is not something that is easily made a career. No one gets into poetry for the money. What I’m in it from is to share something I felt with the growing circle of people around me. I want to inspire people to be better. I want to challenge people to rethink who they are. I want to make a personal connection with someone on the other side of the world as me, and I have been lucky enough to get to connect to so many fantastic people, all with incredible stories and nothing but kindness to give back to me. You’re not a poet until someone reads your poem. I believe that too. Often times, I’ll read poems to my family and friends, and whenever I hit that publish button on wordpress, the same rush of satisfaction and honesty hits me.

Let’s make 2013 the best year there ever was. The world didn’t end, so we still have a responsibility to make our resolutions as courageous as we can, and our words equally as brave.

Love, Brice

p.s. let me know what your favorite pieces were. :)