CHESS

it’s denver in january cold

at the bus stop
there’s a man
in work boots
with a lunch pail
and he looks cold too
his lips pursed
hands in pockets

and there’s a woman
with her two daughters
sitting on the
cold metal
bench
reading them a
story

and there’s a kid
with a baltimore ravens
hat
on backwards
who is pacing
like he’s waiting
for the super bowl
next sunday

there is gum
all over the ground
gum and cigarette
butts

now here comes the blind man
cane in hand
he can’t see me
as i sit here
still
and frozen
does he know
i’m here?

i am some weird caricature
to all of them
lost in my headphones
and underneath my hood
and thom yorke
is going crazy
in my ears
singing my iron lung
they have no idea
he’s whispering
and screaming at me
in the corner
of an asylum
on the other side
of the headphones
he’s desperately singing
with desperation
about desperation
he’s moving me
but he’s not here

there are five other hearts
at this bus stop
waiting to share
the same submarine vessel
to take us to
somewhere else

and it’s cold but not too cold to talk

and i’m off in the asylum
with thom yorke
and i’m twentysomething
in a hoodie
lost in headphones
and as soon as we violently
tug the pull cord
on the bus
and exit
professionally
we will be off to live
our seperate lives together

thom yorke is screaming at me
from some supermarket in england
with his wife
but we are all silent
faceless chess pieces
faced with the same war
but stuck
within our black
and white
spaces

COPYRIGHT BRICE MAIURRO 2013

READ “BLOOD ON THE AMERICAN HIGHWAY”

About these ads

GENESIS

in the morning
the water disappears down the drain
the bathroom floor is always wet
the mirror never lets go of all of its fog
there is nothing outside the window
the kamikaze grass beneath the rotating blades

in the morning
the news report is muffled and uninteresting
the television screen is blurry
there’s never enough time for a cup of coffee
there’s never a good place to put my keys
the apartment is stale and the lights are synthetic

in the morning
the car is never warm enough
the radio is always commercials, never the song
the stop lights are always red
the cops are always bored in their long-snouted cars
the roads are always a collection of potholes
the mirrors always need adjusting

in the morning
the gate never opens when i enter the code
the totalitarian parking lot is always full
there’s always someone double-parked
the headache is always hollow like acid in an empty stomach
the people walking in with me never want to talk
the security guards at the door are never friendly

in the morning
the world is always new
genesis
it needs some conditioning
it’s learning how to become better than it was born

in the morning
it is literally impossible
to know which side of the bed
is the right side to wake up on
and by the time you wake up
it’s too late to decide

this is why
we have the afternoon
and the evening
and the late evening
and night
and the night
and the late night
and the later night
and the refusal of dawn coming
to correct this all
and if we fail
there is always the new morning
ugly as hell
and ready to be loved

COPYRIGHT BRICE MAIURRO 2012

READ “TORCHES AND PITCHFORKS”

NIGHT OWL

the sun always invites himself in in the morning
picking up the half-empty p.b.r. cans
and judging the full ash tray
he judges the obscure notes
on crumpled-up sheets of paper
he judges the rotting food
and the air
that tastes like leftover sex
and unbrushed teeth
he judges the fist-sized hole in the wall
and the painting that fell down
during the world war of last night
now gone cold

he doesn’t get it
he’ll never understand
the happiness that we allow ourselves
when his back is turned

COPYRIGHT BRICE MAIURRO 2012

READ “CLEVER SALT SHAKERS”