02.26

0226

 

 

 

 

 

 

 

(when you said you liked the beatles.)

when you said you liked the beatles
the oxygenless night exploded into day
the grey clouds were wiped from the sky
like billows of white from a chalkboard
your eyes lit up like a thousand suns
into the reflection of my radioactive moonlight
and we eclipsed into the caverns of love

when you said you liked the beatles
i could feel my heart growing like bamboo
on steroids into the hollows of my arms
and overwhelmed my body began to sing
a duet with you laced with great hope
a great hope in the divine and that the heavens
weren’t just those blue squigglies above
the red house and the brown dog in a child’s drawing
on a fridge

when you said you liked the beatles
i became filled with a rage of joy
something i didn’t think possible
i found myself dancing through lines
at the d.m.v. and driving one hundred mph
into the mountains to go find the heart
that i now knew was still beating

when you said you liked the beatles
fantastic wings sprouted from your back
and i began to paint an electric portrait of you
psychedelic and visceral and honest to the aura
you possess inside your home of a house

when you said you liked the beatles
i fell in love with you
as we danced to something
pouring out of the loudspeakers
in the streets of denver
like crystalline drops of water
that have resonated eternally
through the last fifty years
and will continue to resonate
forever ever into the cosmos
and where the walls of time
fold in onto themselves and
everyone loves the beatles
the beatles are everyone’s band
but when you said you loved the beatles
i remembered there are such things
in this world that exist that we all feel
that will never be captured
that do not drown in the sands of an hourglass
but form great glasshouses
immune to any stones you could throw

they just remain
in the minds
and the hearts
and the guts
of the mass populace
of incredible lovely people
forever ever into the cosmos
and where the walls of time
fold in onto themselves
like the crescendo
in the middle of
a day in the life

COPYRIGHT BRICE MAIURRO 2013

READ 02.27, THE NEXT ENTRY IN THE 02.2013 PROJECT

02.2013 is a twenty-eight day project chronicling my february of 2013 through poetry. to read the entries from the beginning CLICK HERE

02.05 (LETTERS TO A YOUNG POET FROM A YOUNG POET)

02.05

 

 

(letters to a young poet from a young poet.)

i’ve heard too many times
“i am not very good at poetry,”
that is like saying
“i am not good at breathing,”
you’re going to do this
whether you want to or not
so you might as well
make your breaths deep
take in the fragrance in the air
along with the carbon monoxide
write your poetry
like a carpenter would make
his own crucifix

if you are uninspired
and you are a poet
it is time
to start sneaking into movie theaters
time to drive your car home in reverse
spend a day trapped inside your home
dressed like emily dickinson
stalking a housefly
attempt to roll uphill

your blood is eighty-five percent water
come to a rolling boil
you were not made to be luke warm
if you are body temperature
you are denying yourself
the chance to be something other than a body

you will write shitty poems
you will have shitty relationships
and shitty jobs with shitty bosses
and sometimes the most precious of poems
gets damaged in a move

you are not a poet
until you type your soul on a screen
and forget to save
but when that computer crashes
you will learn
that some things cannot be taken away from you

there are plenty of people out there
who won’t want to hear your poetry
but you do not speak for them
we all speak to the ears that want to hear
there is a method to the madness
of bees and their flowers

you do not have to share your poems
but document your heart beats
and your heart murmurs alike

sometimes a bad poem
is the prosthetic legs
of a good poem

as far as love
you have to love
loneliness is a bitch
big, big bitch
the fat kid in class
who steals your lunch
because he can’t get full on his
but you have to love
throw yourself into uncomfortable

pad your bed with broken dreams
make strangers less strange
and embrace their stories as your own
because time turns us into alphabet soup
and no one can claim the letters as theirs for long
your mouth carries the fiber of the universe
your dreams form our reality
speak now
or forever hold your peace

write everyday
write with borrowed pens on napkins at diners
and write with scratches on the backs of lovers
tiger stripe God’s car
throw eggs at his driveway
ding dong ditch his front door
leave a flaming bag of dog shit for him to put out
God knows only how to smile
at the precocious little monster you’re being
someday you’ll just be glad you made some memories

a poet is one hell of a hard thing to be
there is no health care, no 401k
no big benefits package
you don’t get sick time
but you will make money off of it
you’ll just be dead by then

the wealth of a poet is measured
in the lint in your pocket
and the gems you’ve placed
in the pocket of the hearts
of those around you

a friend once said to me
the worst thing someone can be to you
is bad poetry
and i believe that to be true
i cannot unhear what i have heard
and you cannot say
what you decided to let be unsaid

take a second
close your eyes
and take in a deep breath
now
before you start turning blue
let it out

COPYRIGHT BRICE MAIURRO 2013

READ 02.06, DAY 6 OF THE 28 DAY 02.2013 PROJECT

02.2013 is a thirty day project chronicling my february of 2013 through poetry. to read the entries from the beginning CLICK HERE

THE HOUSE OF GOD

someone’s in the kitchen playing the guitar
lovers in the bedroom reading dead playwrights
someone’s in the shower marinating musicals
someone’s in the basement carving up god’s face
angels in the mirror slipping into dresses
someone’s in the garden impregnating the soil
someone’s in the laundry room painting up a portrait
demons in the cellar pending on funeral flowers
someone’s in the billiards room punching holes in walls
someone’s in the closet interviewing skeletons
someone’s in the fitness room chiseling skin
pergatorians in the elevator shaft making urgent love
someone’s in the dance hall staring into eyes
someone’s in the sitting room spitting stand-up
someone’s in the coat room closing their curtain eyes
someone’s in the skull commanding the hands
this is the house of what is, not what is not
this is the house of god.

COPYRIGHT BRICE MAIURRO 2013

READ “WORD SALAD”

CAPTURE

capture me in your film reel
put me back inside your toxic head
give me the angst i crave
give me the perfume of wastelands
give me the perfume of wastelands

it’s insensitive of you not to call
i swear to god i’m hanging over the edge
of this building and i’m gonna jump
i swear to god i’m gonna jump
without your visceral voice
i will hit the concrete headfirst

i’m not trying to be the bull in your china shop
i’m not looking for romantic disney love song
give me your health insurance
and all the disease that comes along with it

let’s pursue the american nightmare
let’s try to put the past behind us
let’s bury our children in the yard together
trauma bond with me for life
won’t you trauma bond with me for life?

i know there’s not a lot of hope here
i know there’s some spaces inbetween
they don’t fill in
they’ll never fill in
but let’s continue through shitstorms
umbrellas open now
umbrellas open now

we are children who played with lead paint toys
we are the island of misfits
let’s just close our eyes and hum the garbage disposal
let’s let go of that shiny diamond ring of hope

COPYRIGHT BRICE MAIURRO 2013

READ “FAST LANE”

NATIONAL ANTHEM OF ANYWHERE

beautiful land!
you are the only
beautiful land for me
this is where i live

our bright history
our human roots
our sense of pride
for our sense of pride
it is for you i make
some sacrifice

when things get
somehow difficult
you continue on

we believe in these values here

you are where i live
so for you, i love you more
i will die
for the perspective of life
that you
have thrust upon me!

the only one
i’ve ever known

COPYRIGHT BRICE MAIURRO 2013

READ “DEATH RATTLE”

BEAUTIFUL HOUR

sometimes it’s just too much to ever handle
there’s too many woman with eyes like intelligent design
there’s a sun that has burned for all of us
and will always continue to burn for all of us
and when we don’t have that, we have the moon
we have the moon and the stars and the black silk sky
and the oceans that reflect the light so we’re captured
we’re captured between the two and we don’t have a choice
but to see ourselves as one common entity
we are all, all of us, every single one of us
part of the same vehicle of life, don’t flatter yourself
you are not something special
you are amongst a billion special things
we need to seek this out in one another, in everyone
we need to remember the way
that we help to push the grass out of the ground
we must remember the way that a heart can succumb
to a bass line, i’m not even joking
your heart can literally adjust to the music it hears
and it definitely can adjust to those around you
so i beg of you to answer, why can’t our eyes see
why can’t we appreciate the million instruments
that surround us, and the glorious grandiose
extraterrestial superhuman cataclysmic kaleidoscopic
kandinskily colorful grandiloquent magnum opus of existence?

you don’t know
none of us know
we make up questions
and we find answers
but we can feel each other’s presence
we know when someone is looking at us
we can feel love
never forget that one
we can feel love
sometimes it’s easy to get separated from that
but it’s there
i assure you
right now
i have enough for all of you
and i’m trying to pass it on
i can’t hold onto it
i’ll explode
we’d all explode
be unafraid to love those around you
be unafraid of what is different
because the things that are the same
are boring, they’re boring
and you don’t want to go to the same grocery store
at the same time
to see the same boring faces
and buy the same foods
and check out with the same cashier
every day of your short short short short short life
life is not very long
bad days drag out tugging at our legs
to appreciate the good ones

open your mind
open your eyes
open your arms
open your rib cage
and let that god damn drum beat
let it beat
let it beat like it has never beat before
bleed on the canvas of life
do not be afraid
of being too happy
there is no such thing
there are no limits
that’s the god damn point
you will not put a period on the end of a sentence
you are a conjunction
you are the connective tissue of everything
we need you
i need you
even if i don’t know it
reassess the hatred in your life
what aren’t you doing?
what should you be doing?
who should you be calling?
what do you have to say to who?
i guarantee you
i fucking guarantee you they will be glad to hear it
even if it’s bad news
and there is bad news
just open
regret there not being more hours in the day
and that is all
i want you to imagine yourself smiling
and now i want you to smile
can you do that for me?

can you do that for me?

COPYRIGHT BRICE MAIURRO 2013

READ “BUKOWSKI #2″

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FEATURED POET: FROM BURNING, BURNING, BURNING

San Francisco

San Francisco penetrates me.

We make love under City Lights,

Hubs of progress,

Neon Brothels.

We fuck openly in Castro’s side alleys,

Commercialised piers,

China Town.

We are the children of modern Babylon.

Barefoot whores,

Kerouac junkies,

Cutthroat Queers.

Pilgrims to a Golden Gate

Screaming

Amen!

We scale its womanly curves

Sheathed in a kimono fog.

America’s Geisha.

The City holds me within art deco palms

And fucks me.

I shudder ferociously and scream

‘California.’

San Francisco howls.

Read more HERE.

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MY GREEN FAIRY

the absinthe drinker. viktor oliva.

the absinthe drinker. viktor oliva.

some days
i just
fall
down
the stairs
and i
just
keep fall
ing through
smoke
and mirrors
i travel through
this
funhouse
and past
the golden gates
to the other side

of reality
where she waits
for me
my green fairy

she dance for me
my green fairy
crazy ballet of fire
on her glass stage of desire
she dance for me

her wings in proud display
naked and raw and hard on the throat
she walks across
the good and the evil
of my spectral shoulders
and this she says to me:

“calm your head
your days will collide
if you do not.

close your eyes

feel me running up and down
your spine
this waltz
in waltz three quarter time

taste my heat upon your lips
feel me burning on your breath
sugar cubes and billowed smoke
white lighters and youthful death

open your heart
let me in
the ceremony
is about to begin.”

and i listen to her
my green fairy
my blue delusion
my red midnight
my black confusion

she dance for me
in sacred gardens of the mind
waltzing in three quarter time
she moves the moon along the sky
visions of toxic absinthe why
channels of unrequited love
dirty water, holy dove
she dance for me
she lie with me
and every night
she die for me

COPYRIGHT BRICE MAIURRO 2013

READ “EARTHBENDING”

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EARTHBENDING

some people’s hearts
are 1300 pounds of rage

some people’s minds
are antique arcade machines

some people’s guts
are ocean oil spills

and some people’s bodies
are imploding giant casinos

we are not small accidents
we are massive heart attacks
to happiness
and we
are nuclear radiation

we must speak loudly
we must love even louder
we must be unafraid
to shake the ground
to leave cracks in mountains
that will remain safe passage
for every holy virus
we awaken
to walk through
forever

COPYRIGHT BRICE MAIURRO 2013

READ “ON THE HUNT FOR THE HEART THAT BEATS LIKE MINE”

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HOW A RAVEN IS LIKE A WRITING DESK

raven writing desk

when asking one’s self
how a raven is like a writing desk
things can get a bit
unnecessarily complex;
it is not hard to see
how a credible
and verifiable answer
may be hard to come by.
in this piece,
i will attempt to answer this question
which really
should have been answered long ago.

the first thing one must do
is to qualify
what exactly defines a raven.
experience points us towards the idea
that ravens are inconsistently
the strangest of businessmen.
note that all ravens crave independence
and a nice warm bowl of soup.
another less common accusation
of the raven kind
is that a multitude of their chamomile
is that which provides
shelter for storm drains
and by association
wormholes in the eternal treetrunk.

this is great and all
but what is the use of such conviction
unless we dive equally as deep
into the trenches of
orange libraries
to ask ourselves
what is a writing desk?
many scholars
have written on this
but in my research
i have found
they rarely remind us
that historically
writing desks
have been predatory creatures;
often confused with old crows
and barkeepers
who say things like
“put the jam beside the marmalade”.
i implore you
to not be ignorant;
to acknowledge
that bishops and angels
both use writing desks
as a source of inspiration
for their dissertations
of the latter subject
and the ladder observations.
writing desks taste of freedom
though the splinters
have been known to clog the drain
and leave a nasty hangover.

and now for the big question:
how are they alike?
it’s been suggested
that poe wrote on both
but i have no time
for absurd claims.
one’s life
is far too short
to get lost in logical nonsense.
we must be men
and stopping being children.
as we discussed earlier
ravens are the genesis of polka
whereas writing desks
symbolize the civil war
and the flamingos
who became martyrs
for its mahogany cause.
which is really the key here:
architecture.
both seem to have
a keen design
a design that suggests
dances with drunk waiters
and orbital malnourishment
which plagues us all the same.
a writing desk is to sweater vests
as a raven is to bubble bath water.
from there
certain jumps in logic
can be established
and we can find ourselves absolved
of the great question
which so long has burdened us all.

in conclusion
though it may be difficult at times
to find a system to something
as absurd as this
i find that these: two things
may be more alike
than we are willing to acknowledge.
the badgers of humanity
have a knack
for refusing to accept
that tolerance and compassion
towards washer machines and
the occasional stomach rumble
leads us to living in a glass onion
where we stop saying
to the top hat cricket on our shoulder
the ways that a raven
is unlike a writing desk
and start to genuflect
on the passing notion
that a raven
and a writing desk
are in factualitization
the exact
same
thing.

COPYRIGHT BRICE MAIURRO 2013

READ “CRICKETS”

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